HOUSE MUSIC - It's been twentyfive years or so since the first identifiably house tracks were put on to vinyl, ten years which have changed the technology behind the electronic music revolution beyond recognition but left the basic structure of house intact. It's seven years since it was being said house couldn't last, that it was just hi-NRG, a fast blast that would wither as quickly as it had started. But then the music reinvented itself, and then again and again until it gradually dawned on people that house wasn't just another phase of club culture, it was club culture, the continuing future of dance music. The reason? It's simple. People like to dance to house.
THE HOUSE MUSIC ROOTS TO 1985
Like it or not, house music was first and foremost a direct descendant of disco. Disco had already been going for ten years when the first electronic drum tracks began to appear out of Chicago, and in that time it had already suffered the slings and arrows of merciless commercial music exploitation, dilution and racial and sexual prejudice which culminated in the 'disco sucks' campaign. In one bizarrely extreme incident, people attending a baseball game in Chicago's Comiskey Park were invited to bring all their unwanted disco records and after the game they were tossed onto a massive bonfire.
Disco eventually collapsed under a heaving weight of crass disco versions of pop records and an ever-increasing volume of records that were simply no good. But the underground scene had already stepped off and was beginning to develop a new music style that was deeper, rawer and more designed to make people dance. Disco had already produced the first records to be aimed specifically at DJs with extended 12" versions that included long percussion breaks for mixing purposes and the early eighties proved a vital turning point. Sinnamon's 'Thanks To You', D-Train's 'You're The One For Me' and The Peech Boys' 'Don't Make Me Wait', a record that's been continually sampled over the last decade, took things in a different direction with their sparse, synthesized sounds that introduced dub effects and drop-outs that had never been heard.
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House, Hard House
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